In Bharatha, the concepts of time, space, and chronology can be complex and symbolic. While certain texts may depict specific deities as being born before or after others, it is important to approach with symbolic or allegorical meanings rather than literal temporal sequences. The concept of paternity and filiation can be symbolic and multifaceted. While different texts and traditions may attribute different origins and lineages to deities, it is important to note that mythology often includes various interpretations and narratives. It’s important to approach these mythological narratives as symbolic expressions of deeper truths and philosophical concepts rather than literal genealogical records. Sanathana Dharma often uses symbolic language and stories to convey profound truths about the nature of the divine and the cosmos including time and space and multiple universes and parallel existence.
Trinity
⌘K
- Search for Origins of Trinity: Introduction by Balaji Krishnammagaru
- Rigveda and Chronology based on Linguistics
- Analysis of Specific Hymns
- Saptaṛṣis (Seven Sages): Linguistic Analysis of Mandala 2
- Origins of Gods
- Brahma, Father of Prithvi : Creation ?
- Rudra: Lord Pasupathi and Parameshwara
- References to Trimurti in Rigveda
- The First Explicit Reference to the Trimurti
- The Concept of Shakti
- The Concept of Supreme Reality
- Loopback to Mandala 2
- Getting back to Mandala 6
- Attribution of Mandala 6 to Bharadwaja
- Narrowing down
- Agnistoma Hymn (Rigveda 2.2)
- Detailed Analysis of the Agnistoma Hymn
- Detailed Linguistic and Symbolic Analysis of the Hymn (Rigveda 2.2)
- Comparative Linguistics – Table
- Further Studies
- Family Tree and Relationships
- 5. Sati (Daughter of Daksha Prajapati, wife of Shiva)