The invocation of these deities in a single hymn signifies the integrated view of the cosmos and divine functions, reflecting early Vedic theology where the synthesis of these roles was crucial for the cosmological balance
Trinity
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- Introduction
- Rigveda and Chronology based on Linguistics
- Analysis of Specific Hymns
- Saptaṛṣis (Seven Sages): Linguistic Analysis of Mandala 2
- Origins of Gods
- Brahma, Father of Prithvi : Creation ?
- Rudra: Lord Pasupathi and Parameshwara
- References to Trimurti in Rigveda
- The First Explicit Reference to the Trimurti
- The Concept of Shakti
- The Concept of Supreme Reality
- Loopback to Mandala 2
- Getting back to Mandala 6
- Attribution of Mandala 6 to Bharadwaja
- Narrowing down
- Agnistoma Hymn (Rigveda 2.2)
- Detailed Analysis of the Agnistoma Hymn
- Detailed Linguistic and Symbolic Analysis of the Hymn (Rigveda 2.2)
- Comparative Linguistics – Table
- Further Studies
- Family Tree and Relationships
- 5. Sati (Daughter of Daksha Prajapati, wife of Shiva)
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